Sunday, July 5, 2026
Samuel: Chapter 14
Tuesday, November 4, 2025
Samuel: Chapter 7
Monday, October 20, 2025
Samuel: Chapter 6
What do you see
making its way towards you?
Will you rise
Or will you fall?
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This chapter continues several of the leitworts of the previous chapter, repeating the thematic hand (y'd) and heavy-honor (k'v'd). Yet the root k'v'd, which previously echoed the despairing "honor is lost from Israel" of the defeated Israelites, here gains deeper resonance, stretching back all the way to the Exodus, with Pharaoh's heavy (k'v'd) heart: "Why harden you hearts as Egypt and Pharoah did" warn the Philistine magicians.
And indeed, the Philistines take heed. Now, instead of taking the Ark as they did before, they send it (sh'l'kh)--another leitword, that echoes Pharaoh's sending forth the Israelites. The power of God's hand loosens the human hand. Relinquishin the control they previously celabrated, the Philistines embody their elided shame in forever-gold, offereing it to God.
Yet the relinquishment is not total: rather, it is a provisinal test. They free the Ark, placing it on a wagon drawn by two nursing cows, and see if it can override the biological imperative of motherhood to make its way back (the last of the chapter's keywords), rising and fallng to Isralite terratory. This "seeing" is the last remnant of transgresive control, and remains dangerous. The Isralites, overjoyed to see the Ark coming towrads them through the fields, are punished for their casual gaze.
The story which was introduced with the declaration that "God continued to show himself to Samuel in Shilo" closes with a punishment for those who gaze on God unbiddne outside Shilo's confines.
Sunday, September 28, 2025
Samuel: Chapter 5
If in the previous chapter, Israel was punished when they celebrated their prowess and control over the Ark, now the Philistines' turn has come. As in the previous chapter, the emphasis is on the word "take" lakakh, highlighting the physical manipulation of what should be sacred, beyond human ken; the human propensity to grab. The Philistines "take" the Ark from Even HaEzer, they "take" it to the Temple of Dagon, and they "take" Dagon when he topples at the foot of the Ark.
In response, God severs Dagon's "hands". There will be no handling. The public debasment of Dagon is followed by a private debasment of the Philistened. God's "hand" spreads throughout the Philistine city in a plague (echoing the Exodus,when the "hand of God" kills the livestock ). The Israelites had hoped for a Lord of (military) Hosts Who fights in the open, "trumpeting" the arrival the Ark to their camp, as though it were a weapon. When the Ark finally acts against the Philistenes, it is specifically through the hidden, the invisible. The Philistines are struck with hemeroids, their most private bodily functions made public in a general outcry (homeh) that echoes Israel's despairing cry in the previous chapter. The Ark is avenged through shame, the debasement of the Philistines both elided and inscribed in the text by the difference between the written and read form of the word for "hemeroid"--read as t'horim (hemeroid), written as afli (sahdowed, dark), as though the word is too shameful to be written, but highlighted by its very absence. The "dishonor" (I-kavod) experienced by Israel in the previous chapter is countered here by the " very heavy (kaved) hand of God".
As in the case Samson, who carries the gates of Gaza on his back, the interaction with the Philistines, Israel's closest neighbors, revolves around liminal spaces. Dagon's severed hands and face are found on the threshold of his temple; the priests of Ashdod avoid the temple doorway; similarly, in the previous chapter, Eli dies at the entrance to the Mishkan, his neck broken when he strikes the doorpost. God here attacks the Philistines through the most hidden limen of all, the portal through which the body excretes what does not belong, a passageway between self and not-self. The battle between Israel and the Philitenes takes place in this charged space between self and other, feeling for boundaries.




