Showing posts with label Penuel. Show all posts
Showing posts with label Penuel. Show all posts

Sunday, September 22, 2024

Judges: Chapter 9

 

We sprout

from the earth's navel

dragging along the hills, trees and thorns

in the ever-battle 

of fathers and sons


[For full chapter, click here

If the previous chapter set Gideon within a wider family context, this family now takes center stage, as the Gideon saga continues to resonate forward and backwards in time. Certain key elements of his story are retroactively highlighted when seen in this broader context.
Abimelech, the son of Gideon’s concubine, introduced at the closing of the previous chapter, moves to the center, as he acts decisively  to take the kingship his father had rejected.  In an Oedipal drama, Abimelech moves to his “mothers family’s”, claiming their kinship and brotherhood, while murderously turning on his brother’s-through-his father.

This Oedipal killing of the father highlights that Gideon’s journey simlarily began by killing his father’s sacred bull. The initial, sublimated, struggle ended up bringing father and son together: Yoash defended his son, and brought to his symbolic rebirth as Jerubal.

Abimelekh, by contrast, turns on Jerubal, killing his 70 sons on “one stone.” Yet throughout, he expresses and works through elements of his father’s own personality, revisiting key moments and struggles. Like Gideon, Abimelekh has a special focus on “the sons of my mother.” Both father and son are related to the symbolic number of 70, with Gideon’s 70 sons countered by Abimelekh’s 70 pieces of silver. Abimelekh seems to be the only of Gideon’s sons to have inherited his father’s military might and strategy—like his father, he “divides the camp.” Like his father, he leads by example, telling his men to “watch and do as I do.”Gideon retraced Jacob’s journey to Cannan via Penuel and Succoth; Abimelekh takes the next step to Shechem. Gideon externalizes Jacob’s interior and lonely battle in Penuel, turning Jacob’s mysterious  struggle where  he “sees God face to face” into a ruthless battle over his authority with the people of Penuel. Abimlekeh revisits and heightens the treachery and violence that Jacob found in Shechem (indeed, the chapter highlights the intertextual connection by openly alluding to “Shechem the son of Hamor”).

Abimelekh—“My father is king”—his very name refers to the troubled relationship with his father, and specifically around the issue of authority and power. Indeed, it is Gideon himself who “puts” (veyasem, rather than the usual “ve yikra”) this name on him, pointing to unresolved tensions in the issue of kingship. Gideon is first offered the kingship after he uses the very elements of the earth—brambles and thorns—to punish the people of Succoth who mock his authority. Abimelekh, described by Yotam as a  “thornbush,” fights Gaal from the “navel of the earth” (Tabur haAretz), and his army appears like the shadows of the hills. He later cuts down trees and walks with them (in a Macbeth-like scene) to attack the rebels in the tower. Whereas Gideon razes the tower of Penuel, Abimelekh is killed by a grindstone flung by a woman in the tower.   

“I will not rule over you, nor will my son rule over you. God will rule over you,” Gideon declared. Yet once the idea of earthly authority was raised, it seems impossible to contain. You will be ruled, Abimelkh tells the people of Shechem. So better by me your kinsmen, than by Gideon’s 70 other sons. The people of Shechem accept this argument, and crown Abimelekh, who “acts with authority (veyesar) over them.” When they tire of Abimelkh’s rule, they turn to Gaal the son of Eved (lit. servant, slave), who explicitly centers the argument around the issue of avdut-slevery/ service. Why should we serve Abimeklkh, he asks, we might as well serve Hamor. The issue is only power and who wields it.

An alternative to this power-based vision of the inevitable domination of the strong is offered by Yotam, Gideon’s youngest and only surviving son. Yotam (lit “the orphaned one”) presents an opposing vision—both of kingship, and of Gideon. If Abimelkh expresses Gideon’s ruthless assertion of authority, Yotam highlights his vulnerability, his deep fear and bravery—how he “sent forth his soul to save you.” In a similar fashion, Yotam’s famous parable of the trees presents kingship as an insufficiency of self, rather than the right of might: the olive, the fig, the vine, are all too full of their own blessings to seek to lord over others. It is only the barren thornbush that is willing to rule, as it has nothing intrinsic to lose. What is more, kingship, Yotam argues, is a mutual system: if Abimelekh was raised justly, “rejoice in him and let him rejoice in you.” But if the rise of Abimelekh was unjust, “let a fire shoot forth from Abimelkh and destroy Shechem and a fire set forth from Shechem and destroy Ebimelkh.” The ruler and the ruled each define the other, building or destroying each other simultaneously. Rather than a hierarchal relationship in which one dominates the other, it is a circular relation of mutual definition.
Yotam delivers his parable from atop Har Grizim, location of the primal covenant with God, in order to “Make the people of Shechem heard to God.” This also introduced a fundamental difference between Gideon and Abimelekh’s Odeipal struggles: Gideon acts on God’s command, and fights on God behest. Though he asserts authority, he seeks to make “God rule over you.” Yotam and Abimelekh struggle over their father’s legacy, and Yotam calls God in on his side. The story ends with the victory of Yotam’s narrative: the fire indeed sets forth and destroys both Shechem and Abimelkh. “God repaid Abimelech for the evil he had done to his father by slaying his seventy brothers; and God likewise repaid the people of Shechem… so the curse of Jotham son of Jerubbaal was fulfilled…”.]

Wednesday, September 18, 2024

Judges: Chapter 8


Who stands back

and who joins?

Who leads. who follows?

Who birthed you 

and what do you birth?

We come to the closing of the Gideon cycle, as the young man who stepped into Debora's place achieves victory, providing, like her, for  a transformative "forty years of quiet."

As he chases the Midianites to achieve this decisive victory,  Gideon traverses the bank of the river, revisiting the stops made by his ancestor Jacob on his primordial journey back to Canaan: Penuel, Succot, and finally Shechem.

 Yet Gideon's trajectory here is the opposite of Jacob's.

If Jacob sends his children and wives ahead remaining "alone" to be rebirthed as Israel through a struggle with a mysterious assailant, Gideon's symbolic rebirth as Yerubaal took place before he approached Penuel. If Jacob's tumultuous life narrowed to the strains of Jabbok,Gideon's canvas widens. If before, we met Gideon alone, at night, in private dialogue with God and angels, here we see Gideon within the national context, as he interacts with the other tribes, and speaks to the Midianite kings.

 If Gideon's earlier struggles were with his own fears and doubts, here he struggles to placate those who wish for greater involvement (Ephraim), and to punish those who hold back (Succoth and Penuel). No longer does he carefully assuage fears. Instead, he ruthlessly and violently asserts national authorityNot for nothing does Israel offer him kingship

In place of the lone young initiate, we now see Gideon embedded within a family: suddenly he has "brothers, the sons of my mother," and a young son he is trying to train. Gideon's history begins to extend forward and back in time. As he retraces his forefather  Jacob's journey, and worries for his brothers, he is offered hereditary kingship, extending forward in time. "I will not reign over you, nor will my son reign over you. God will  reign over you," Gideon ceremoniously declaims, his every choice now reverberating through time.

 Yet this sudden tension between Gideon's rule and God's is dangerous, as the man who once was "clothed" in God's spirit now lays down a "dress" to gather gold (in a scene reminiscent of the creation of the Golden Calf). The money gathered serves to create an article of clothing (an "ephod") that becomes a gateway to idolatry, indeed competing with God.

Despite the achievement of the forty years of peacethe Gideon-cycle ends on a dark note. From one son we end with 70, and "many women" (precisely what Moses warned the king to avoid). The Israelites, we are  told, do not "deal kindly" with Yerubaal or his family. The hero who comes to deal with a post-Golden-Calf Israel gets trapped in their cycle of idolatry and sin).

Sunday, March 9, 2014

Genesis: Chapter 32

All the doubling
and redoubling


splits
and divisions



merge within
till we see face to face













(For full text of chapter, click here
The duality that has haunted the text since the birth of the twins, Esau and Jacob, becomes almost dizzying here
the chapter opens with "Mahanayim"--lit. dual camp--of angels
the divine realm is soon reflected in the human as Jacob fears a dualized brother ( ("my brother...Esav"), splits his family into two camps; sleeps two nights, splits the second night in two, then moves his two wives and his two maidservants to the other bank of the river.
it is then that Jacob is left utterly "alone," not dualized for the first time since his birth. And at that moment the mysterious assailant comes--an assailant who fuses with Jacob, until it is unclear who is whom in the description. A merging multiplicity, that comes to a head when Jacob receives the second name Israel.
From duality, we come to complexity, internalized multiple names...)

Genesis 31: In Writing

Mine, ours, yours
possessing and possessed
a terrible tangle of belonging and longing

                "He's taken what's ours...
                from ours he has made..."

                given

               "we have no part
                been sold and eaten"
                alienated

To take
to have
to steal
to lose....

I entered and saw you
opened a well of longing
Now I seal the path
and you waver
 under the shadow of knowing
the nothingness that is ours

stolen hearts
stolen days
stolen selves
stolen gods...

and you are stolen away