A unity in multiplicity
or pieces into one
or pieces into one
Connections, linkages,
duality
Close together
Close together
but apart
[For full chapter, click
here
This chapter is both the
direct continuation of the previous one, and its counterpoint.
We move from the
furniture of the Dwelling to the construction of the Dwelling itself.
The move from object to context creates a change--
from male to female (the keruvim
in the previous chapter face “each man to his brother” while the curtains
and planks are connected “each woman to her sister);
from a “single solid” (miksha)
to separate pieces that must be
linked
Connection--hovered/ mahveret/ ve-haverta—is the leitword of the chapter.
While the separated sections are attached
so that the Dwelling “becomes one” (vehaya
ehad), this is a unity haunted by separation, very unlike the eternal; “single
solid” unifying the seemingly multifarious keruvim and Menora of the
previous chapter. The plank holders are “twinned,” and full of duality. The
chapter closes with the creation of dividers—the parokhet and masakh , and with a
series of opposites: within/without, north/south .
Yet this is a space that is
also full of keruvim, interwoven into the very walls of the Dwelling,
and into the dividing curtain. It provides the placement for the previous
chapters isolated elements,the parameters for interaction.]
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